A William Carlos Williams Poem (3)

January

Again I reply to the triple winds
running chromatic fifths of derision
outside my window:
                                          Play louder.
You will not succeed. I am
bound more to my sentences
the more you batter at me
to follow you.
                                          And the wind,
as before, fingers perfectly
its derisive music.

(1921)

POEM: "Drive"

Drive

If life is just a gamble 
why are the bets so small
should have taken the tunnel
instead of the bridge, subway
all the way minimum traffic
thunder every three minutes
going in opposite directions
maybe this is all they have to say
maximum speed is what matters
my arm around her shoulders
lying in bed her leg crosses
her own special line, drawing
the meal a story the afternoon
now it's started raining heavily
I am not where I wanted to be


© 2014 Rob Schackne

MUSIC: Anna Setton (2012), Sarah Vaughan (1977), Elis Regina (1967), Andy Bey (2007) Sing "O Cantador" / "Like A Lover"

O Cantador (Dori Caymmi & Nelson Motta) 

Amanhece, preciso ir 

meu caminho é sem volta e sem ninguém 

Eu vou prá onde a estrada levar 

Cantador só sei cantar 

Ah! eu canto a dor 

canto a vida e a morte, canto o amor 

Cantador não escolhe o seu cantar 

Canta o mundo que vê 

e pro mundo que vi meu canto é dor 

mas é forte prá espantar a morte 

prá todos ouvirem minha voz 

mesmo longe 

De que servem meu canto e eu 

se em meu peito há um amor que não morreu 

Ah! se eu soubesse ao menos chorar 

cantador só sei cantar 

Ah! Eu canto a dor 

de uma vida perdida sem amor

https://www.youtube.com/watch?v=hK7IvDqA1-w

https://www.youtube.com/watch?v=0w8Tv1DWqr8

https://www.youtube.com/watch?v=4Nx6HrpkUAM

https://www.youtube.com/watch?v=L0ZW7Y4HFuM

And for a little more of the wonderful Anna Setton...

https://www.youtube.com/watch?v=Qdsw7ykzgXY

POEM: "The Day After Tomorrow"

The Day After Tomorrow

The building blocks shall

largely cover every place

except for that space between

Where the occasional sky opens up

below of course lie city streets

that people follow everywhere

Mirrored windows so sealed against

neither hearts nor storms
can shine on lively forms        

How did everything get so bad

does any ever change into

a thing approaching freedom

Only now I don’t know where to go

or what I need to write down

to whom and why and when

You say everything leads me to you

except the sky above

and all the sky below.

© 2014 Rob Schackne

MUSIC: Randy Newman, "I Think It's Going To Rain Today" (1979)

Randy Newman and the Rotterdam Philharmonic Orchestra. The song, well...

https://www.youtube.com/watch?v=J4c54PAzXrM

POEM: "Ordinary Storms"

Ordinary Storms 

I know by now why the Earth hums
The Earth hums because the oceans
Love to strum the bits of land they fill

I know tonight why little kids point
With an arm and a finger to call us out
It's time to see the future and the past

And I know why it rains for everyone
It's because the streets fill with love, else
The night won't fall and I fail to understand  

Why hum is sometimes an affliction—
It's when ordinary storms wake up demons
It's when plants and trees burn with ruin

And I know tonight we misread the future
(I know it's raining, and I'm still not ready)
I know that somehow we've mislaid a planet

The lightning is striking outside my window 
The hum in my ears inside a stolen umbrella
Leaving the bar in a manner timely and respectful.


© 2015 Rob Schackne

POEM: "Another Day Early"

Another Day Early


In the veils of flesh 

we carry forward like
a pompadour on a cat
like a big butt that shouts
I leave nothing behind!
        In this limitation
we cover everything
till it’s all forgotten
these veils of flesh
so beautiful and rotten—
        I wish all women smart
that men were better ugly
and childhood never end
while our flesh proclaims
we start and start again.


© 2015 Rob Schackne

A W.B. Yeats Poem (3) / Francis Bacon, "Three Studies for Self-Portrait" (1976) / Peter O'Shaughnessy Reads

Cuchulain Comforted

A MAN that had six mortal wounds, a man

Violent and famous, strode among the dead;
Eyes stared out of the branches and were gone.

Then certain Shrouds that muttered head to head
Came and were gone. He leant upon a tree
As though to meditate on wounds and blood.

A Shroud that seemed to have authority
Among those bird-like things came, and let fall
A bundle of linen. Shrouds by two and three

Came creeping up because the man was still.
And thereupon that linen-carrier said:
'Your life can grow much sweeter if you will

'Obey our ancient rule and make a shroud;
Mainly because of what we only know
The rattle of those arms makes us afraid.

'We thread the needles' eyes, and all we do
All must together do.' That done, the man
Took up the nearest and began to sew.

'Now must we sing and sing the best we can,
But first you must be told our character:
Convicted cowards all, by kindred slain

'Or driven from home and left to die in fear.'
They sang, but had nor human tunes nor words,
Though all was done in common as before;

They had changed their throats and had the throats of birds.

(1939)

https://www.youtube.com/watch?v=HhZQ37FRf9c

POEM: "Vozes"

Vozes


A stuttering love in
Just a horseshoe kitchen
Remarkable understanding
Who am I fooling?

At night it gets so bad
I contemplate the voices
The dark wind brings
But that isn’t the truth

The appellate division
In the next smelly stall
Snickers in the dark
This isn’t the force of destiny

Why did it take so long
To turn me into a horse
With this huge cock
This affectionate nature?

The mystery is there
The truth is beyond
The black is fear
The division is hope

My hungry ghosts
Just stretch it and yawn
Occasionally they even
Wonder why I’m so stupid

The days gallop into years
The years ride into galaxies
I tell them to relax
I tell them to relax.


© 2015 Rob Schackne

A Tina Chang Poem

Invention

On an island, an open road
where an animal has been crushed
by something larger than itself.

It is mangled by four o'clock light, soul
sour-sweet, intestines flattened and raked
by the sun, eyes still watchful, savage.

This landscape of Taiwan looks like a body
black and blue. On its coastline mussels have cracked
their faces on rocks, clouds are collapsing

onto tiny houses. And just now a monsoon has begun.
It reminds me of a story my father told me:
He once made the earth not in seven days

but in one. His steely joints wielded lava and water
and mercy in great ionic perfection.
He began the world, hammering the length

of trees, trees like a war of families,
trees which fumbled for grand gesture.
The world began in an explosion of fever and rain.

He said, Tina, your body came out floating.
I was born in the middle of monsoon season,
palm trees tearing the tin roofs.

Now as I wander to the center of the island
no one will speak to me. My dialect left somewhere
in his pocket, in a nursery book,

a language of childsplay. Everything unfurls
in pictures: soil is washed from the soles of feet, a woman
runs toward her weeping son, chicken bones float

in a pot full of dirty water.
I return to the animal on the road.
When I stoop to look at it

it smells of trash, rotting vegetation,
the pitiful tongue. Its claws are curled tight
to its heart; eyes open eyes open.

When the world began
in the small factory of my father's imagination
he never spoke of this gnarled concoction

of bone and blood that is nothing like wonder
but just the opposite, something
simply ravaged. He too would die soon after

the making of the world. I would go on
waking, sexing, mimicking enemies.
I would go on coaxed by gravity and hard science.


(2004)

POEM: "I rewrite a poem"

“I rewrite a poem”


I rewrite a poem about love
convinced I can bring new light
to an old problem
is it better to be an eagle or a cock?
many pages later
when the candle's almost down
to a dull glow, the sun is rising
and the cat wants to go out
I'll write it again before I sleep


© 2015 Rob Schackne

A John Keats Poem

What the Thrush Said

O Thou whose face hath felt the Winter’s wind,
Whose eye has seen the snow-clouds hung in mist,
And the black elm tops ’mong the freezing stars,
To thee the spring will be a harvest-time.
O thou, whose only book has been the light
Of supreme darkness which thou feddest on
Night after night when Phœbus was away,
To thee the Spring shall be a triple morn.
O fret not after knowledge—I have none,
And yet my song comes native with the warmth.
O fret not after knowledge—I have none,
And yet the Evening listens. He who saddens
At the thought of idleness cannot be idle,
And he’s awake who thinks himself asleep.


(1818)

POEM: "Make the Bowls Sing"

Make the Bowls Sing


Periphery you know future you do not
Walking home see China’s tallest building
Its shrouds (good word) in smog (bad word)

Circle every planet dar una vuelta
Form the scandal part of every molecule
Waves of song beating invisible oceans

Patiently watch the islands drowning
Bless its generations of scavengers 
(Lucky no birdsong on the moon)

How the streets will run high with words
The bronze bowls forever hum with joy
They ever figure out this disguise of noise

Have faith in hope the music holds
Everywhere the edges of sound & if health
For happiness then happiness for 10,000 years.


© 2014 Rob Schackne

POEM: "The World Is Bad, Let Me Sleep"

The World Is Bad, Let Me Sleep


The Great Barrier Reef
is the size of Italy or Japan
our nearest star closer than
the nearest human heart
stretched from you to me
from the cosmos to the sea

I once tied a life around my neck
with the tensile strength of spider silk
after meditation upon the aggregates
and form was returning to nothingness
I rested my case, I drew the curtains
the world was bad I said, let me sleep.

Dreams rattle the door before the fall
when the nothing spins a web of matter
for the bangles of the ten-thousand arms
when your cell dreams become your alarm
back to the greed and jealousy and envy
so tough shit, the world is bad, let me sleep.

Reading an old poem about the kids of
factory fodder in a hell of a town somewhere
people we could've loved and we imagine hope
but good poetry it is, that draws the curtains
against knowing more than a bit about the future
the world was bad, it's starting to rain, let me sleep.


© 2014 Rob Schackne

MUSIC: Frank Sinatra, "One For My Baby (And One More For The Road)" (1958)

Born 1915.

https://www.youtube.com/watch?v=Fs07p77t9ZQ

An Allen Ginsberg Poem

Song

The weight of the world
             is love.
Under the burden
            of solitude,
under the burden
            of dissatisfaction
            the weight,

the weight we carry
            is love.
Who can deny?
            In dreams
it touches
            the body,
in thought
            constructs
a miracle,
            in imagination
anguishes
            till born
in human—
looks out of the heart
             burning with purity—
for the burden of life
             is love,
but we carry the weight
             wearily,
and so must rest
in the arms of love
             at last,
must rest in the arms
             of love.
No rest
             without love,
no sleep
             without dreams
of love—
             be mad or chill
obsessed with angels
             or machines,
the final wish
             is love
—cannot be bitter,
             cannot deny,
cannot withhold
             if denied:
the weight is too heavy
             —must give
for no return
             as thought
is given
             in solitude
in all the excellence
             of its excess.
The warm bodies
             shine together
in the darkness,
             the hand moves
to the center
             of the flesh,
the skin trembles
             in happiness
and the soul comes
             joyful to the eye—
yes, yes,
             that’s what
I wanted,
             I always wanted,
I always wanted,
             to return
to the body
             where I was born.

(1954)


https://www.youtube.com/watch?v=CRTdAIlMdT8

POEM: "Tethered"

Tethered

                           for Jack Gilbert

Nothing be nothing or strong

the humming started yesterday

the plastic bag fell in the street

see nothing be nothing be long

the wind blows the same black bag

every single day stays the same

tethered in an alley blind of sight

drawn by a light if you noticed it. 

© 2012 Rob Schackne

POEM: "Ah Dreams"

Ah Dreams


We grapple with violence
we look down we don’t look up
beyond the dust beyond the harvest
the clothes are just a trickery one smell
of invidious wanting or not wanting
little night scuffles with big darkness
the rats fight under the promenade
in the cinema she watches a movie
skittish proud curious boys up for murder
mid-autumn moon-cakes made of ice cream
none of it as real as the dog she keeps as pet
ah rattus dreams rattus love me from it
cover up my heart and my stomach
take away the nearest mouth.

© 2013 Rob Schackne

POEM: "Lines By The Pint (CXXX)"

Lines By The Pint (CXXX)


It's no small thing like the fold
Of a dress which suddenly speaks
Or a light switch from another world

But even by those kindly lights I see
Reaching deep inside the common face
Where language is mixed with nonsense

There's no limit to a foolish greed
And cosmetics can't hide a smart woman
And I wonder what my next beauty looks like ­­­­­­­

If we'll slap hands together and conjure glee
Till the sun rises roughly over our secrets
And the bed we’re in hears the music wrong.

© 2014 Rob Schackne

PHOTO: A Gonbad Silk Tabriz Persian Rug

An Anne Waldman Poem

Endtime


Why cannot the ear be closed to its own destruction?
—William Blake


Won’t come alive ever yet or again? In the mind of Endtime it looks like this: shell, volute, Tabriz, eddies, and tides. Flowers wilt. When you wake, observe the unmitigated trials and tribulations of these tossed things, random it seems. But in the endtime, less personhood more ransom. Radical sleep in the Endtime, there is no end of sleep. Multiplying the stars was never easy in Endtime, doing it by themselves, obstinate stars. Self-repairing and learning on the job. Write reports, sniff out plagiarism, fly your planes with a computer. Drones inhabit the Endtime lore, how many kills. In Endtime things go static. Then still. Switch off “solace.” Would you kill another literary form? a ransom note perhaps, saying again: The dead always will be saying too many of us! Then carry the corpses around. In the mind of the Endtime no substitutes but if you care to try your hand you may gamble all you have to offer and what would that be. A mole might do for you, a burrowing animal “thing” might do, biding time might do for a time, a night perhaps you have for rhetoric, before you are released at dawn. Recant, reflect, review, reach out. We have met the enemy and it is the psychotic karmic flow of our blowback. Privileged community survives a raging flood. Maybe. You keep churning and there’s an echo in the world. In the Endtime no need of explanation. Need stronger better experienced cop? He’s a baby. In the Endtime there are theories of dysfunction, delicate wheelworks that need retread. In the mind of the Endtime scot-free isn’t possible. No interpretation necessary for your cargo. But tax and a search and a fee and a calibration what it all adds up to. Then drop it. Drop it down, send it off, may it disintegrate in peace.


(2015)

A Mark Strand Poem

Coming to This

We have done what we wanted.
We have discarded dreams, preferring the heavy industry
of each other, and we have welcomed grief
and called ruin the impossible habit to break.

And now we are here.
The dinner is ready and we cannot eat.
The meat sits in the white lake of its dish.
The wine waits.

Coming to this
has its rewards: nothing is promised, nothing is taken away.
We have no heart or saving grace,
no place to go, no reason to remain.

(1980)

A W.H. Auden Poem (2)

We, Too, Had Known Golden Hours


We, too, had known golden hours
When body and soul were in tune,
Had danced with our true loves
By the light of a full moon,
And sat with the wise and good
As tongues grew witty and gay
Over some noble dish
Out of Escoffier;
Had felt the intrusive glory
Which tears reserve apart,
And would in the old grand manner
Have sung from a resonant heart.
But, pawed-at and gossiped-over
By the promiscuous crowd,
Concocted by editors
Into spells to befuddle the crowd,
All words like Peace and Love,
All sane affirmative speech,
Had been soiled, profaned, debased
To a horrid mechanical screech.
No civil style survived
That pandaemonium
But the wry, the sotto-voce,
Ironic and monochrome:
And where should we find shelter
For joy or mere content
When little was left standing
But the suburb of dissent?


(1950)

PHOTO: "Our words will be lost to them"

Photo: Gilles Sabrie

http://www.nytimes.com/2015/11/29/world/asia/china-tibet-language-education.html

POEM: "Women Boxing"

Women Boxing


Don’t enjoy 
it much either
better to fight
the house-dust
the closed window
the 1000 night jabs
below the belt
a faraway sound
a train is coming
the roundhouse
hard as a rail.


© 2015 Rob Schackne

POEM: "A robot convention"

"A robot convention"


A robot convention. Doesn’t matter
they pick a mango. Pick their nose
you know I go as far as I can.
Come in, he says. A person leaves.
Everyone so hungry. My idiom for idiots
it's illegal to operate without permission
I hold the door for the poem. That’s all.
Just float through a window in the roof
maybe you hear one hand clapping
maybe you can see your original face.
How different the sky is when you don’t look up.


© 2015 Rob Schackne

A Yi Sha Poem

A Brief Record of Kongtong Mountain

The feeling of going up and the feeling of coming down
are completely unalike—

going up
the mountain appears half-hidden through thick mist

coming down
the mountain is laid bare in bright sunlight

it's as if there are two mountains
and I don't know which is more Kongtong

regardless which it is
I'll love Kongtong just the same

because this mountain is
the first in many years

that I have climbed
on my own two legs

(2006)


(Trans. Heather Inwood)

POEM: "For Once"

For Once
                               pace R.L.F.

Over Mr Frost's well-curb
Peering down into the deep
Echoes of the past, for once
They look well-meaning
And only then a flash of white
I say this is more than truth
More than well-whiskered cloud
But if two worlds why not three?
My heart's drumming like crazy
Dreams visit, a dizziness comes
Now what you see is what you get
They never thought to warn you.


© 2011 Rob Schackne

A Howard Altmann Poem

Paris Winter

That we can breathe and not forget
our dreams entirely. In the cold sun

the warmth of timelessness. There is
panic, rest assured, so much beauty

stirring, I want to touch all that
contains me. We know the questions

and the light shifts without a word.
In the clouds, a philosopher’s chair

rocks. In the riverbed, the buff
and lathe of stones, change glistening

past. And from the afternoon, drops
of her monthly blood drip down

the stairs, the kitchen table, all of her
unopened bills, a cold floor that timed

us. O, the ins and outs of memory
breathe, too, images at rest in the dark

chambers, the gilded daylight whir
a heart’s dusting—one walkup,

one post storm quiet blinking at
infinity. Who shot the moon

and claimed victory in the morning?
The constellations touch down;

the years collapse; the boom
and bust of love lowers the crane

at dawn: in what earth, in what sky
will the soul find its keeper?

(2015)

POEM: "Act 1, Scene 3"

Act 1, Scene 3


The night succesfully prosecuted. The band excellent.
A little friction. A misunderstanding. Nothing bad.
Sitting with the lead singer's husband. He writes songs.
I remember we talked about ancient history. How sad.
We raised our children. How happy. Their lives go on.
Then we surveyed the future. There are words enough.
Johna with a pad and a pen. I requested Anita Baker.
Anna Lee didn't know the singer. I danced.
Good night. It's still raining.


© 2015 Rob Schackne

POEM: "Summer Crept Silently To Rest"

"Summer Crept Silently To Rest"


Of the body, the belly, both the legs
That get in first, then the dick, the balls
Follow (she's away, but nothing happened)
The hot head is sort of a problem, actually
It’s a big problem, it’s such a Spanish night
The fincas and the ferias, her lustrous hair
Under imaginary stars and the flamenco
Relax the breathing, start thinking of rain
Like the next holy day that is waiting for

Those crystal palaces riding high in the sky
But no, because you see the waves emerging
Out of the moon's eye and turn over again.


© 2015 Rob Schackne

POEM: "A Post Office"

A Post Office

In China there's a post office
unmarked on maps, cellar-deep
where you can mail your dreams
(though you might wait for years)

True, they go out without a stamp
or an address, but someone gets them
and you know they get read, even
discussed before they vanish

And of course it costs plenty
a boatload of poetry and music
several galleries of good paintings
skillful dancing and love-making

But no one can ever know
the true excellence of this secret
how far it reaches into the soul
or how much it wishes to be silent.

© 2015 Rob Schackne

POEM: "After Du Fu"

After Du Fu

I signal the emptiness
I will take leave of you
I watch the passing of time
The speaker is erased
Absence fills with memory
Everyone is the same
Everyone is lonely.


© 2015 Rob Schackne

POEM: "After Han Shan"

After Han Shan


No taxis to Cold Mountain
No trains, no buses, no horses
The way is clear, there is no path
Dark clouds point at nothing
The wind says Don’t stop!
I have eaten enough today
Now it rains because I’m thirsty
See you on Cold Mountain!


© 2015 Rob Schackne

PHOTO: Turtles Beached

Sea turtles arriving to lay their eggs on Playa Ostional, 180 miles north-west of San Jose, the capital of Costa Rica. More than 250,000 Olive Ridley turtles came ashore on the beach in a mass nesting known as an arribada. Xinhua Press/Corbis


...and sure that's a lovely sight of them all come ashore to the beach all looking the same like that and they driving forward with an olive ridley energy you don't know anything about and there you are walking amongst them like a ________.

A Louis Simpson Poem

I Dreamed that in a City Dark as Paris

I dreamed that in a city dark as Paris 

I stood alone in a deserted square.
The night was trembling with a violet
Expectancy. At the far edge it moved
And rumbled; on that flickering horizon
The guns were pumping color in the sky.

There was the Front. But I was lonely here,
Left behind, abandoned by the army.
The empty city and the empty square
Was my inhabitation, my unrest.
The helmet with its vestige of a crest,
The rifle in my hands, long out of date,
The belt I wore, the trailing overcoat
And hobnail boots, were those of a poilu.
I was the man, as awkward as a bear.

Over the rooftops where cathedrals loomed
In speaking majesty, two aeroplanes
Forlorn as birds, appeared. Then growing large,
The German Taube and the Nieuport Scout,
They chased each other tumbling through the sky,
Till one streamed down on fire to the earth.

These wars have been so great, they are forgotten
Like the Egyptian dynasts. My confrère
In whose thick boots I stood, were you amazed
To wander through my brain four decades later
As I have wandered in a dream through yours?

The violence of waking life disrupts
The order of our death. Strange dreams occur,
For dreams are licensed as they never were.

(1988)

POEM: "Friday 13th"

Friday 13th


There's more fossil fuel in reserve
now than can ever be inhaled

There's more hatred in supply
than anyone could ever need

Wake up roll out of bed put down
feet on the carpet of a flayed man

Play a little bit of Clifford Brown shave
shit shower and shampoo it’s just jazz

Happy Friday I tell them on the Thursday
just in case you don’t show up tomorrow

Sweet Tooth tells the story of how his youth
went to work and just blew up dead just blues

I remind the students of all the other work
remains to be done and better done well.


© 2015 Rob Schackne

A Jane Kenyon Poem

Afternoon in the House

It's quiet here. The cats
sprawl, each
in a favored place.
The geranium leans this way
to see if I'm writing about her:
head all petals, brown
stalks, and those green fans.
So you see,
I am writing about you.

I turn on the radio. Wrong.
Let's not have any noise
in this room, except
the sound of a voice reading a poem.
The cats request
The Meadow Mouse, by Theodore Roethke.

The house settles down on its haunches
for a doze.
I know you are with me, plants,
and cats - and even so, I'm frightened,
sitting in the middle of perfect
possibility.

(1978)

An Anne Sexton Poem

Her Kind

I have gone out, a possessed witch,
haunting the black air, braver at night;
dreaming evil, I have done my hitch
over the plain houses, light by light:
lonely thing, twelve-fingered, out of mind.
A woman like that is not a woman, quite.
I have been her kind.

I have found the warm caves in the woods,
filled them with skillets, carvings, shelves,
closets, silks, innumerable goods;
fixed the suppers for the worms and the elves:
whining, rearranging the disaligned.
A woman like that is misunderstood.
I have been her kind.

I have ridden in your cart, driver,
waved my nude arms at villages going by,
learning the last bright routes, survivor
where your flames still bite my thigh
and my ribs crack where your wheels wind.
A woman like that is not ashamed to die.
I have been her kind.

(1981)

POEM: "Ladders"

Ladders 

                        "You say you don't know, but you do know."

Incy-wincy wake up in the dark
go outside to the expansion
piss and look up at the stars

walk around the orchard 
it’s a kind of animal park 
working around the clock

the fruit was as dangerous 
as we once picked for knowledge
(the evil pastoral grins)

screw you a life on the land
working three months of Mondays
one rung up and two more down

with heigh-ho and awful rash
sweat and concentrated bugs
the fork-lift collects the bins

a shotgun resting underneath
apple-pickers worse than bad apples
economics of loss and flowers


© 2015 Rob Schackne

POEM: "How A Japanese Farmhouse Changed Their Lives"

How A Japanese Farmhouse Changed Their Lives


First, the execrable outhouse, unlettered haste to go,
a lingering pong stuck in the clothes. Then, the bug life.
More bugs than tried out for the moon shoot. But ambitious.
The noises started to make them crazy after the first week.

Groaning wood had to settle differently in every weather,
the scratchy music of the bamboos could never be stilled.
No electricity was a big problem, before they turned in early
to gaze for hours at the happy lizards going after the bugs.

There was a nauseating stench they couldn’t locate.
They talked to each other, sure, it was as boring as fuck.
They took turns reading aloud, but it became a farce.
Time passed very slowly. Arguments. The third month.

Sure, they drank the local hooch. Yes, it had a nasty kick.
They took back their old smoking habits and lost condition
tooting as they struggled to draw water from the well.
They got rashes. The water started tasting a little funny.

The books they brought to read grew attached to the shelves
like ruined lizards. Odd mould. They walked down to the village
that could not understand them and returned with garbage
they had to dig holes for and bury, swatting at the horseflies.

They bathed in natural water in a small natural wooden tub

in the icy water that each determined almost killed the other one.
When the time came to sell up, there were twenty sweaty farmers
watching them get screwed, happy their lives were changed.


© 2013 Rob Schackne

POEM: "After A Poem By Guan Guan"

After A Poem By Guan Guan
                                             
                                                for Anna

The nightgardener 
under moonlight
the sleeping blossoms
shadows lengthened
there was a lake
a lake of mud
this was the ground
a ground of lotus
and now this room
once rooms of marsh
somewhere near here
there was a pond

was it really a pond
that is now a pond
that is now a house
once a house of lotus?


© 2013 Rob Schackne