Monday, December 8, 2014

POEM: "The Big Cat Show"



The Big Cat Show 


The big cat show, see wronged cops
travel to the capital to kill themselves
you breathe one sigh and say for what
they’re arrested after drinking poison

All their lives, their guts hammered
see held against their will in hospital
see survival punished, don’t do it again
(an awful press gets away with murder)

See happy man has no past and maybe
see unhappy man has got nothing else
and you are a solid citizen of the world
and nothing you see can ever freeze you

See in Amerika the black man is feared
Lord see the lawful moment is absent
look he is killed by a police who swore
to be righteous before this world ends.


© 2014 Rob Schackne

Wednesday, December 3, 2014

POEM: "Monday At The Germbar After Work"



Monday At The Germbar After Work 


“There is no epiphany or revelation or aha moment or big click. There is no redemption. There is no great lesson learned. There is only the unknowable and the unspeakable.”

                                                                      Meghan Daum (2014)


I don’t know. I was killed. I died and I came back
And what I didn’t know about it was so immense
That the huge gap reached out to become a teacher
Of dreams and invisible beauty. True I lost track a lot
So many languages were spoken. Some I understood
Some clicked me knowable, some clicked me unspeakable
(Afterwards of course one must return and get on with it)
I never spoke of epiphanies or redemption. Anyway it is
Poor manners to flush an aha moment & not give it a chance
And although (of course) it's quite impossible to give as a present
I got very involved in writing poetry. I bring a message back
Sit you down in a silent classroom at dusk. The one alone
I expected nothing but death. I had the grace of surprise.


© 2014 Rob Schackne

Tuesday, December 2, 2014

POEM: "New Note"



New Note


               LA BEAUTÉ EST DANS LA RUE
                                   

New note. Derive in the streets
This note. Non-related dancing
Performing a nervous situation
When all is cut and struggling
Show, don’t tell. What rubbish
This lyrical divide. With no song
You couldn’t put your shoes on
Your animal mask would warp
All Fall was born and died in Fall
Don’t ask me why I still sell fruit
Because I have no more appetite
Just park your red body over there
Between the red bicycle and the
Red bulldozer. Pay me later with
A poem that belongs to the world
With a crooked life that walks the way
A dog looks at me. Watch the tail
This rainy day reads and writes it
The subway EXIT is a holy name.


© 2014 Rob Schackne

Monday, December 1, 2014

POEM: "Awed (I)"



Awed (I)
                              

We do I guess because others don’t 
Because the others gave up too early 
Sound drove them on like the drone of bees 
They ran out and covered their heads. 

So take away music, take away words 
Take away the colours and the birds
Steal love and steal the seasons too
How much the spectrum changes.


That field of corn 
would never see a plow
that field of corn 

would be deserted now
a man is born 

but he's no good no-how
without a song


Slam through time, study the light
Shake it till it rattles no more. Shout
Like there's no tomorrow. Scream away
The rough bits and crackles. Why do I care?


The torch is out. The wind is up. You
And me, us and them, antidote of the anger
Dark is done. After silence, after violence
The stranger emerges alive and well.


What? My inspiration is under my arm 
It's behind my knees, in a cup of coffee
It’s in your cup of coffee. Productive?
I don’t think so. It’s almost everywhere.


© 2014 Rob Schackne


_______________

https://www.youtube.com/watch?v=OGH34KW2v4I&index=6&list=PL295AF154086CF7BE

Thursday, November 27, 2014

A Richard Blanco Poem



América

I.

Although Tía Miriam boasted she discovered
at least half a dozen uses for peanut butter—
topping for guava shells in syrup,
butter substitute for Cuban toast,
hair conditioner and relaxer—
Mamá never knew what to make
of the monthly five-pound jars
handed out by the immigration department
until my friend, Jeff, mentioned jelly.

II.


There was always pork though,
for every birthday and wedding,
whole ones on Christmas and New Year's Eve,
even on Thanksgiving day—pork,
fried, broiled, or crispy skin roasted—
as well as cauldrons of black beans,
fried plantain chips, and yuca con mojito.
These items required a special visit
to Antonio's Mercado on the corner of Eighth Street
where men in guayaberas stood in senate
blaming Kennedy for everything—"Ese hijo de puta!"
the bile of Cuban coffee and cigar residue
filling the creases of their wrinkled lips;
clinging to one another's lies of lost wealth,
ashamed and empty as hollow trees.

III.

By seven I had grown suspicious—we were still here.
Overheard conversations about returning
had grown wistful and less frequent.
I spoke English; my parent's didn't.
We didn't live in a two-story house
with a maid or a wood-panel station wagon
nor vacation camping in Colorado.
None of the girls had hair of gold;
none of my brothers or cousins
were named Greg, Peter, or Marcia;
we were not the Brady Bunch.
None of the black and white characters
on Donna Reed or on the Dick Van Dyke Show
were named Guadalupe, Lázaro, or Mercedes.
Patty Duke's family wasn't like us either—
they didn't have pork on Thanksgiving,
they ate turkey with cranberry sauce;
they didn't have yuca, they had yams
like the dittos of Pilgrims I colored in class.

IV.

A week before Thanksgiving
I explained to my abuelita
about the Indians and the Mayflower,
how Lincoln set the slaves free;
I explained to my parents about
the purple mountain's majesty,
"one if by land, two if by sea,"
the cherry tree, the tea party,
the amber waves of grain,
the "masses yearning to be free,"
liberty and justice for all, until
finally they agreed:
this Thanksgiving we would have turkey,
as well as pork.

V.


Abuelita prepared the poor fowl
as if committing an act of treason,
faking her enthusiasm for my sake.
Mamá set a frozen pumpkin pie in the oven
and prepared candied yams following instructions
I translated from the marshmallow bag.
The table was arrayed with gladiolas,
the plattered turkey loomed at the center
on plastic silver from Woolworth's.
Everyone sat in green velvet chairs
we had upholstered with clear vinyl,
except Tío Carlos and Toti, seated
in the folding chairs from the Salvation Army.
I uttered a bilingual blessing
and the turkey was passed around
like a game of Russian Roulette.
"DRY," Tío Berto complained, and proceeded
to drown the lean slices with pork fat drippings
and cranberry jelly—"esa mierda roja," he called it.
Faces fell when Mamá presented her ochre pie—
pumpkin was a home remedy for ulcers, not a dessert.
Tía María made three rounds of Cuban coffee
then Abuelo and Pepe cleared the living room furniture,
put on a Celia Cruz LP and the entire family
began to merengue over the linoleum of our apartment,
sweating rum and coffee until they remembered—
it was 1970 and 46 degrees—
in América.
After repositioning the furniture,
an appropriate darkness filled the room.
Tío Berto was the last to leave.


(1998)

Tuesday, November 25, 2014

PHOTO: Tyler Hicks (2011)




A part of a war. A raid on the village of Alam Khel, Afghanistan, in 2011.

_____________

For another insight, please read Elizabeth D. Samet:

Monday, November 24, 2014

A Jennifer Michael Hecht Poem (1)



Funny Strange


We are tender and our lives are sweet

and they are already over and we are
visiting them in some kind of endless
reprieve from oblivion, we are walking
around in them and after we shatter
with love for everything we settle in.

Thou tiger on television chowing,
thou very fact of dreams, thou majestical
roof fretted with golden fire. Thou wisdom
of the inner parts. Thou tintinnabulation.

Is it not sweet to hand over the ocean's
harvest in a single wave of fish? To bounce
a vineyard of grapes from one's apron
and into the mouth of the crowd? To scoop up
bread and offer up one's armful to the throng?
Let us live as if we were still among

the living, let our days be patterned after
theirs. Is it not marvelous to be forgetful?



(2003)

Saturday, November 22, 2014

POEM: "Private Man One Evening At The Club"



Private Man One Evening At The Club
                                      
                                 “The final value of action is, that it is a resource.” 
                                            Ralph Waldo Emerson

The mist gathers in advance of the storm
Nature is closing down. Things go quiet
Rain begins. The soul has found its resource
Two little bugs bouncing on the high seas
In the cup on the hard 14th hole. Which part 
Of the strange universe is part of this world
"Let nothing disturb you. Patience gains all things."
Draw the golden curtains. Ring up room service
Take a shower. Get shampoo in both my eyes
Lobster à la fanculo. Bananas aux pommes frites
Sweet sparkling wine. Forget being empty
Remember a story about Saint Teresa de Ávila
Slip out of the perfect bath. Fall heavily on my hip
Limp to the telephone. Lightning shock.


© 2014 Rob Schackne

Tuesday, November 18, 2014

MUSIC: Jimmy Ruffin, "What Becomes Of The Brokenhearted" (1965)




http://www.youtube.com/watch?v=UQU4sIn96M4&list=RDUQU4sIn96M4#t=0

You're right. "The song had the kind of words one can feel." As you sang it for the millions who have walked home, on nights too dark to see, asking the question. And for the millions who got their answers. RIP.

Monday, November 17, 2014

POEM: "A True And Fitting Thing"



A True And Fitting Thing


I once hooked up with a contortionist
Whacko, she was extended twenty-six
With legs that almost reached her middle
She cuddled my days and bent my nights
Each small woe bridged and stretched us over

(Ah, you don’t believe how well heaven fits)
We rolled from that one here to this one there
Unbelievable when the circus moved to applaud
May to December, well it was crazy as a bucket
A little bit wonderful, well it was way out of hand
And the old sea sighed when it thought for a while
Something in nature stirred, and then it stopped
A limb wobbled, a joint detached that shouldn’t have
The birds went still, not one would leave the nest

(What's true, Lord knows what we invested in)
There was a quick rescheduling of itineraries
But if to leave is only to run a little faster then
It's a true and fitting thing at the end of day
I gave up almost all her tricks, she got away
I doubt that I shall care so much again.


© 2014 Rob Schackne

Sunday, November 16, 2014

A Bill Knott Poem



The Consolations of Sociobiology
                                                             
                                         (to JK)

Those scars rooted me. Stigmata stalagmite
I sat at a drive-in and watched the stars
Through a straw while the Coke in my lap went
Waterier and waterier. For days on end or

Nights no end I crawled on all fours or in
My case no fours to worship you: Amoeba Behemoth.
—Then you explained your DNA calls for
Meaner genes than mine and since you are merely

So to speak its external expression etcet
Ergo among your lovers I’ll never be ...
Ah that movie was so faraway the stars melting

Made my thighs icy. I see: it’s not you
Who is not requiting me, it’s something in you
Over which you have no say says no to me.


(1983)

A Bill Knott Poem (2)

Weltende Variation #I

                                 (homage Jacob van Hoddis)

The CIA and the KGB exchange Christmas cards
A blade snaps in two during an autopsy
The bouquet Bluebeard gave his first date reblooms
Many protest the public stoning of a guitar pick

Railroad trains drop off the bourgeois’ pointy head
A martyr sticks a coffeecup out under a firehose
Moviestars make hyenas lick their spaceship
God’s hand descends into a glove held steady by the police

At their reunion The New Faces recognize each other
A spoiled child sleeps inside a thermometer
A single misprint in a survival manual kills everyone
The peace night makes according to the world comes


(1989)

Tuesday, November 11, 2014

A Ben Belitt Poem



Veteran's Day


Bringing “only what is needed—essential
toilet articles” in a paper bag,
dressed as for dying, one sees the dying plainly.
These are the homecomings of Agamemnon,
the odysseys to the underside of the web
that weaves and unweaves while the suitors gorge upon plenty
and the languishing sons at home unwish their warring
fathers with strong electric fingers.

                                                                       The fathers are failing.

In the Hospital Exchange, one sees the dying plainly:
color televisions, beach towels, automatic razors—
the hardware of the affluent society marked
down to cost, to match the negative afflatus
of the ailing, the bandages and badges of their status.
Under the sandbags, rubber hoses, pipettes, bed-clamps,
tax-exempt, amenable as rabbits,
the unenlisted men are bleeding through their noses
in a perimeter of ramps and apparatus.

In that prosthetic world, the Solarium
lights up a junk-pile of used parts: the hip that caught
a ricochet of shrapnel; tattoos in curing meats;
scars like fizzled fuses; canceled postage stamps;
automated claws in candy; the Laser’s edge; and barium.
The nurses pass like mowers, dressing and
undressing in the razor-sharp incisions
and the flowering phosphorescence. The smell
of rubbing alcohol rises on desertions and deprivals
and divorces. It is incorruptible. A wheelchair aims
its hospital pajamas like a gun-emplacement.

The amputee is swinging in his aviary.
His fingers walk the bird-bars.

                                                                        There is singing
from the ward room—a buzzing of transistors
like blueflies in a urinal. War over war,
the expendables of Metz and Chateau-Thierry,
the guerillas of Bien Hoa and Korea,
the draftees, the Reserves, the re-enlisters,
open a common wavelength.
                                                          The catatonic
sons are revving up their combos in the era
of the angry adolescent. Their cry is electronic.
Their thumbs are armed with picks. The acid-rock guitarist
in metal studs and chevrons, bombed with magnesium,
mourns like a country yokel, and the innocents
are slaughtered.

                            On the terrace, there are juices
and bananas. The convalescent listens to his
heartbeat. The chaplain and his non-combative daughter
smile by the clubbed plants on the portico.

                                                                “They shall overcome.”

(1970)

Monday, November 10, 2014

POEM: "To My Brother Jack"



To My Brother Jack


Passing time, several jars with you
In a public bar with bashful service
The hours fix the world with glue


Watching glasses fracture as we see
Dead end on that path of solution
Flat lines, the end of our capacity


Lead on past our dreams, behold
By this deaf of night, duplications
& why we march in darkness, cold.


© 2012 Rob Schackne

Sunday, November 9, 2014

POEM: "Idle Thoughts On A Sunday"



Idle Thoughts On A Sunday

                                               for Chris Harvey

Screaming children run from their souls
their voices pitch them ever closer to hell
(the misfortune to be born too soon too late)
though if they were lost we couldn't be having
this conversation you & me here like this
subway demons are exorcised by the wind
the screech of brakes the lucky fireworks
in this incomplete disguise of indifference
we sit on long benches and count the stops
(we were never lost or we'd not be talking now)
yes it's true we're too slow to flee our souls
and true that conversation advances knowledge
and while misfortune will go running to distraction
though we count the stops we're never lost
(it's my stop here I must get off)



© 2014 Rob Schackne

Saturday, November 8, 2014

A Jane Hirshfield Poem



Like the Small Hole by the Path-Side Something Lives in


Like the small hole by the path-side something lives in,
in me are lives I do not know the names of,

nor the fates of,
nor the hungers of or what they eat.

They eat of me.
Of small and blemished apples in low fields of me
whose rocky streams and droughts I do not drink.

And in my streets—the narrow ones,
unlabeled on the self-map—
they follow stairs down music ears can’t follow,

and in my tongue borrowed by darkness,
in hours uncounted by the self-clock,
they speak in restless syllables of other losses, other loves.

There too have been the hard extinctions,
missing birds once feasted on and feasting.

There too must be machines
like loud ideas with tungsten bits that grind the day.

A few escape. A mercy.

They leave behind
small holes that something unweighed by the self-scale lives in.


(2012)

Friday, November 7, 2014

POEM: "A Soldier's Cough"



A Soldier’s Cough


Head feels like a drum when it’s scratched
Left ear still sore after a blow 25 years ago

A throat that lost its whisper song and shout
A lonely whisker creeps to just below the eye
The neck that shook the bridge for days is weak
The old chest looks full but the heart is hollow
Comrades tell me that vitamins will put it right
(Pity the right side doesn’t quite match the left)
Broken leg the pelvis spine back knees and feet
Sore from a million steps in the wrong direction
The cough that alerts the dog who begins to bark
The doctors say there will be no more fighting
I climb the stairs to my apartment every day
Grateful my spectacles still see you waving
While you hang the wind in your white clothes.


© 2014 Rob Schackne

Thursday, November 6, 2014

PHOTO: Tom Jenkins (2014)



Not really a photograph as much as a painting. If I was as good as this, I'd leave the writing game for a while and go play alto sax late nights in a basement jazz club.

photo: Tom Jenkins

Monday, November 3, 2014

PIECES: Sheila Melvin, "Two or Three Things about Mr. Lu Xun" (2014); Pankaj Mishra, "The Western Model Is Broken" (2014)



Ms Melvin's fine piece goes into my Abiding Admiration for Lu Xun file. Mr Pankaj Mishra as usual turns an intelligent screw. He might even be channelling Lu Xun. Below is an old thing of mine, small (and certainly out of breath) in such company.

http://english.caixin.com/2014-10-31/100745459.html

http://www.theguardian.com/world/2014/oct/14/-sp-western-model-broken-pankaj-mishra?CMP=fb_gu

........................................

To Lu Xun, From The Iron House


Locked inside the iron house
Seventeen others are snoring
There are no windows anywhere
No ventilation means we’re dying
(Getting sleepy too, I’ll lie down soon)
We have attempted the Big Breakout
We have filled our bodies with Blood
We have hammered and screamed for it
It? I mean of course we went for our lives
Like threshing machines, no help for it
No one from outside came to our rescue
No friends, no lovers, no family came
Though at one point we imagined voices
Crying a strange word that sounded like KEEZ
Which we all stripped buck naked for
Which we shook our dictionaries for
Which we questioned the waiting children for
And we looked deep into each other’s eyes.

  
© 2013 Rob Schackne

Saturday, November 1, 2014

MUSIC: The Grateful Dead, "Touch of Grey" (1987)





It must be getting early
Clocks are running late
Paint by numbers morning sky
Looks so phony


Dawn is breaking everywhere

Light a candle, curse the glare
Draw the curtains, I don't care
'Cause it's alright

Thursday, October 30, 2014

MUSIC: The Andrews Sisters & Bing Crosby, "Ac-cent-tchu-ate The Positive" (1944)





Sure he is. What? Just because you don't see him, you think he's not there? He's been sitting out there for days watching us. You don't mess with Mister In-Between. So, for all you stupids...keep low. Very low.

http://www.youtube.com/watch?v=fZUmAbi0Vm4

Monday, October 27, 2014

LETTER: M. Proust





Provenance inexact. The provenance... Laugh? I almost died.

(Merci à Mlle Maira Kalman)

Sunday, October 26, 2014

POEM: "Three Gestures"



Three Gestures


I. Dharmacakra

The gesture of teaching
beyond a gesture of learning
and all my gaps, all that I forgot


By going where we have to go
this we see without the mirror
in the whiteouts and the sand

Crazy streets still grow wild weed
it's the contemplative mind, so best to
heed well the angle at deadly corners

So strange now the dirty deals we made
the twinge and the fidget and the snore
the life-span, the sweet rose and the sea

How to learn the perfect cup of tea
teach me to dance the broken arrow
and I will show you the broken step


II. Varada

A kitten was run over by a car
tonight it lay on the road crying
intestines strewn like sausages


Before I could crush her skull
she got up and licked her gore
then walked back over to the curb


Nighttime, a parade of people
crossing the perilous borders

begin their journeys of freedom

Probably died in the bushes
from her first true crossing
a kid, a plan, a nalpadika 


No walk for this in any language
no word can toy with compassion
we learn too late most of it is deadly

I wrap the story up and let it go
later seal it inside a diamond heart
and send this poem to the ones I love



III. Abhaya

How these days pass
the pillows are difficult
old speeches are regretted

Faces will carry faces
baskets within baskets
a foot in parallel worlds

A burning house next to
an insipid day at work
a Möbius twist of tracks 

Nature, it isn't feckless
sometimes rabbits wait 
for the big train to pass

Faces to faces watch
the mirrors cracking
waiting for the train to leave

Birds go search in the wind
an egg falls from the nest
an old lizard sucks it dry

Freedom is on the bend
now go, going home try
and practise courage


© 2014 Rob Schackne

Friday, October 24, 2014

An Allen Grossman Poem



The Piano Player Explains Himself


When the corpse revived at the funeral,
The outraged mourners killed it; and the soul
Of the revenant passed into the body
Of the poet because it had more to say.
He sat down at the piano no one could play
Called Messiah, or The Regulator of the World,
Which had stood for fifty years, to my knowledge,
Beneath a painting of a red-haired woman
In a loose gown with one bared breast, and played
A posthumous work of the composer S—
About the impotence of God (I believe)
Who has no power not to create everything.
It was the Autumn of the year and wet,
When the music started. The musician was
Skilful but the Messiah was out of tune
And bent the time and the tone. For a long hour
The poet played The Regulator of the World
As the spirit prompted, and entered upon
The pathways of His power - while the mourners
Stood with slow blood on their hands
Astonished by the weird processional
And the undertaker figured his bill.

    We have in mind an unplayed instrument
Which stands apart in a memorial air
Where the room darkens toward its inmost wall
And a lady hangs in her autumnal hair
At evening of the November rains; and winds
Sublime out of the North, and North by West,
Are sowing from the death-sack of the seed
The burden of her cloudy hip. Behold,
I send the demon I know to relieve your need,
An imperfect player at the perfect instrument
Who takes in hand The Regulator of the World
To keep the splendor from destroying us.
Lady! The last virtuoso of the composer S—
Darkens your parlor with the music of the Law.
When I was green and blossomed in the Spring
I was mute wood. Now I am dead I sing.



(1991)

Tuesday, October 14, 2014

POEM: "The Sun Goes Down"



The Sun Goes Down

                             
Dismal science isn’t economics
or accounting. It's mostly dreams
that skip fast under the setting sun.
The old birds wait for quiet enough
to breach the low horizon. They pass
beneath, sink down to get off free.

A definite article of serious wishes.
It's the serious accounting that excites
the dismal and hopeless. The sad are kept
low. Held up, their mouths set just right
they get it hopping crazy in the farmyard.
Three-legged dogs and deformed lambs.

The broken halters of horses run amok.
The
 sky gets higher, the moon is swelling.
These ancient roads only stand so much
till this precious, probable sundrian
stops the lessening and if it be wished
takes the nothings and spins them into light.


© 2014 Rob Schackne

Sunday, October 12, 2014

POEM: "How To Spend A Birthday"



How To Spend A Birthday

                                               
First find the ducks, and get them in a row
Then walk the line, look each one in the eye
Dismiss the distended and mildewed ones
Locate a good supply of water, and herd them
Towards their birthdays and listen to their joy
Give them some pork crackling as they emerge
Shaking feathers and preening (they are proud)
And by now they're following you everywhere
Little souls, their shit and feathers on the carpet
Into your library, the kitchen, even to the bedroom
Where of course you find them tonight, in autumn
In half a dream of water and half a dream of flight
How you toss and turn in how to spend a birthday
But it's good to have ducks, they are simple creatures
And nothing bothers them as long as you stay happy
And who studies mortality today sighs in pleasure.


© 2014 Rob Schackne


Drawing by Michael Leunig

Wednesday, October 8, 2014

POEM: "Recently A Fellow Poet Wrote"



Recently A Fellow Poet Wrote


Recently a fellow poet wrote:
Highjacked by a book of poems, I want
To know more about my captor. What
Has given rise to such intentions?

Diesel smack and smeared mirages
A searing mark under a damning sun
Off the track from an untargeted village
Safe enough for the story and the pics

Now, I don't want to know more about them
(I overstepped my bounds, they're very twitchy)
I want to know about my options to get free
And except for my camera, I'm unrifled
And except for my passport
I’m fucked.


© 2014 Rob Schackne

Tuesday, October 7, 2014

POEM: "Listening To Birds At Dawn"



Listening To Birds At Dawn


And the machinery we depend on
Lasts till we get where we’re going
Five minutes or five inches in reserve
Our heart pounds guessing we made it
(Five pounds more and we wouldn't have)
Hardly feeling five of the something less
Could crash this plane, could send us
Out of control, desperate, terrified;
Strange craft, the inefficiency by
Which the world runs fractured
As if the doors that barely close
Contained enough for long enough

That it all worked fine before the system
We almost had worked out, gave up.


© 2014 Rob Schackne

Sunday, October 5, 2014

A Jessica Greenbaum Poem



A Poem for S.


Because you used to leaf through the dictionary,
Casually, as someone might in a barber shop, and
Devotedly, as someone might in a sanctuary,
Each letter would still have your attention if not
For the responsibilities life has tightly fit, like
Gears around the cog of you, like so many petals
Hinged on a daisy. That's why I'll just use your
Initial. Do you know that in one treasured story, a
Jewish ancestor, horseback in the woods at Yom
Kippur, and stranded without a prayer book,
Looked into the darkness and realized he had
Merely to name the alphabet to ask forgiveness—
No congregation of figures needed, he could speak
One letter at a time because all of creation
Proceeded from those. He fed his horse, and then
Quietly, because it was from his heart, he
Recited them slowly, from aleph to tav. Within those
Sounds, all others were born, all manner of
Trials, actions, emotions, everything needed to
Understand who he was, had been, how flaws
Venerate the human being, how aspirations return
Without spite. Now for you, may your wife's
X-ray return with good news, may we raise our
Zarfs to both your names in the Great Book of Life.



(2012)

Saturday, October 4, 2014

MUSIC: Japan, "Ghosts" (1982)



David Sylvian sings:

Just when I think I'm winning
When I've broken every door
The ghosts of my life
Blow wilder than before


Just when I thought I could not be stopped
When my chance came to be king
The ghosts of my life
Blew wilder than the wind

MUSIC: The Royalettes, "It's Gonna Take A Miracle" (1965)


I know, I know. That's not their real hair. This is the cheesiest clip you ever saw. Black and white sucks. They don't make music like this anymore. Now shut up.

Friday, October 3, 2014

WOODBLOCK PRINT: Yuko Shimizu (2014)





POEM: "Letter From My Apartment, Oct. 3, 2014"


Letter From My Apartment, Oct. 3, 2014


Love predates nationalities
Wind originates beyond the sky
Earth has water older than the sun

Still things will travel faster than light
(I could go on but you're grateful I won’t)
No one lives in caves though we might as well
A poem of white is no more the absence of colours
Than a poem of black includes them all forever
And though a red umbrella is small protection
Against the ravages of teargas in Hong Kong
A bottle of water applied to the eyes will help.


© 2014 Rob Schackne

Wednesday, October 1, 2014

MUSIC: Fatboy Slim, "Weapon of Choice" / Christopher Walken (2010) / POEM: "Right" (2014)



http://www.youtube.com/watch?v=wCDIYvFmgW8


Right. Flow.
Left foot goes there
no, the other right
now unweight the right
let it slide over to the left
hands block and turn  if
you walk without rhythm
ah, you never learn
now let's try it again.


© 2014 Rob Schackne