Saturday, November 1, 2014

MUSIC: The Grateful Dead, "Touch of Grey" (1987)





It must be getting early
Clocks are running late
Paint by numbers morning sky
Looks so phony


Dawn is breaking everywhere

Light a candle, curse the glare
Draw the curtains, I don't care
'Cause it's alright

Thursday, October 30, 2014

MUSIC: The Andrews Sisters & Bing Crosby, "Ac-cent-tchu-ate The Positive" (1944)





Sure he is. What? Just because you don't see him, you think he's not there? He's been sitting out there for days watching us. You don't mess with Mister In-Between. So, for all you stupids...keep low. Very low.

http://www.youtube.com/watch?v=fZUmAbi0Vm4

Monday, October 27, 2014

LETTER: M. Proust





Provenance inexact. The provenance... Laugh? I almost died.

(Merci à Mlle Maira Kalman)

Sunday, October 26, 2014

POEM: "Three Gestures"



Three Gestures


I. Dharmacakra

The gesture of teaching
beyond a gesture of learning
and all my gaps, all that I forgot


By going where we have to go
this we see without the mirror
in the whiteouts and the sand

Crazy streets still grow wild weed
it's the contemplative mind, so best to
heed well the angle at deadly corners

So strange now the dirty deals we made
the twinge and the fidget and the snore
the life-span, the sweet rose and the sea

How to learn the perfect cup of tea
teach me to dance the broken arrow
and I will show you the broken step


II. Varada

A kitten was run over by a car
tonight it lay on the road crying
intestines strewn like sausages


Before I could crush her skull
she got up and licked her gore
then walked back over to the curb


Nighttime, a parade of people
crossing the perilous borders

begin their journeys of freedom

Probably died in the bushes
from her first true crossing
a kid, a plan, a nalpadika 


No walk for this in any language
no word can toy with compassion
we learn too late most of it is deadly

I wrap the story up and let it go
later seal it inside a diamond heart
and send this poem to the ones I love



III. Abhaya

How these days pass
the pillows are difficult
old speeches are regretted

Faces will carry faces
baskets within baskets
a foot in parallel worlds

A burning house next to
an insipid day at work
a Möbius twist of tracks 

Nature, it isn't feckless
sometimes rabbits wait 
for the big train to pass

Faces to faces watch
the mirrors cracking
waiting for the train to leave

Birds go search in the wind
an egg falls from the nest
an old lizard sucks it dry

Freedom is on the bend
now go, going home try
and practise courage


© 2014 Rob Schackne

Friday, October 24, 2014

An Allen Grossman Poem



The Piano Player Explains Himself


When the corpse revived at the funeral,
The outraged mourners killed it; and the soul
Of the revenant passed into the body
Of the poet because it had more to say.
He sat down at the piano no one could play
Called Messiah, or The Regulator of the World,
Which had stood for fifty years, to my knowledge,
Beneath a painting of a red-haired woman
In a loose gown with one bared breast, and played
A posthumous work of the composer S—
About the impotence of God (I believe)
Who has no power not to create everything.
It was the Autumn of the year and wet,
When the music started. The musician was
Skilful but the Messiah was out of tune
And bent the time and the tone. For a long hour
The poet played The Regulator of the World
As the spirit prompted, and entered upon
The pathways of His power - while the mourners
Stood with slow blood on their hands
Astonished by the weird processional
And the undertaker figured his bill.

    We have in mind an unplayed instrument
Which stands apart in a memorial air
Where the room darkens toward its inmost wall
And a lady hangs in her autumnal hair
At evening of the November rains; and winds
Sublime out of the North, and North by West,
Are sowing from the death-sack of the seed
The burden of her cloudy hip. Behold,
I send the demon I know to relieve your need,
An imperfect player at the perfect instrument
Who takes in hand The Regulator of the World
To keep the splendor from destroying us.
Lady! The last virtuoso of the composer S—
Darkens your parlor with the music of the Law.
When I was green and blossomed in the Spring
I was mute wood. Now I am dead I sing.



(1991)

Tuesday, October 14, 2014

POEM: "The Sun Goes Down"



The Sun Goes Down

                             
Dismal science isn’t economics
or accounting. It's mostly dreams
that skip fast under the setting sun.
The old birds wait for quiet enough
to breach the low horizon. They pass
beneath, sink down to get off free.

A definite article of serious wishes.
It's the serious accounting that excites
the dismal and hopeless. The sad are kept
low. Held up, their mouths set just right
they get it hopping crazy in the farmyard.
Three-legged dogs and deformed lambs.

The broken halters of horses run amok.
The
 sky gets higher, the moon is swelling.
These ancient roads only stand so much
till this precious, probable sundrian
stops the lessening and if it be wished
takes the nothings and spins them into light.


© 2014 Rob Schackne

Sunday, October 12, 2014

POEM: "How To Spend A Birthday"



How To Spend A Birthday

                                               
First find the ducks, and get them in a row
Then walk the line, look each one in the eye
Dismiss the distended and mildewed ones
Locate a good supply of water, and herd them
Towards their birthdays and listen to their joy
Give them some pork crackling as they emerge
Shaking feathers and preening (they are proud)
And by now they're following you everywhere
Little souls, their shit and feathers on the carpet
Into your library, the kitchen, even to the bedroom
Where of course you find them tonight, in autumn
In half a dream of water and half a dream of flight
How you toss and turn in how to spend a birthday
But it's good to have ducks, they are simple creatures
And nothing bothers them as long as you stay happy
And who studies mortality today sighs in pleasure.


© 2014 Rob Schackne


Drawing by Michael Leunig

Wednesday, October 8, 2014

POEM: "Recently A Fellow Poet Wrote"



Recently A Fellow Poet Wrote


Recently a fellow poet wrote:
Highjacked by a book of poems, I want
To know more about my captor. What
Has given rise to such intentions?

Diesel smack and smeared mirages
A searing mark under a damning sun
Off the track from an untargeted village
Safe enough for the story and the pics

Now, I don't want to know more about them
(I overstepped my bounds, they're very twitchy)
I want to know about my options to get free
And except for my camera, I'm unrifled
And except for my passport
I’m fucked.


© 2014 Rob Schackne

Tuesday, October 7, 2014

POEM: "Listening To Birds At Dawn"



Listening To Birds At Dawn


And the machinery we depend on
Lasts till we get where we’re going
Five minutes or five inches in reserve
Our heart pounds guessing we made it
(Five pounds more and we wouldn't have)
Hardly feeling five of the something less
Could crash this plane, could send us
Out of control, desperate, terrified;
Strange craft, the inefficiency by
Which the world runs fractured
As if the doors that barely close
Contained enough for long enough

That it all worked fine before the system
We almost had worked out, gave up.


© 2014 Rob Schackne

Sunday, October 5, 2014

A Jessica Greenbaum Poem



A Poem for S.


Because you used to leaf through the dictionary,
Casually, as someone might in a barber shop, and
Devotedly, as someone might in a sanctuary,
Each letter would still have your attention if not
For the responsibilities life has tightly fit, like
Gears around the cog of you, like so many petals
Hinged on a daisy. That's why I'll just use your
Initial. Do you know that in one treasured story, a
Jewish ancestor, horseback in the woods at Yom
Kippur, and stranded without a prayer book,
Looked into the darkness and realized he had
Merely to name the alphabet to ask forgiveness—
No congregation of figures needed, he could speak
One letter at a time because all of creation
Proceeded from those. He fed his horse, and then
Quietly, because it was from his heart, he
Recited them slowly, from aleph to tav. Within those
Sounds, all others were born, all manner of
Trials, actions, emotions, everything needed to
Understand who he was, had been, how flaws
Venerate the human being, how aspirations return
Without spite. Now for you, may your wife's
X-ray return with good news, may we raise our
Zarfs to both your names in the Great Book of Life.



(2012)

Saturday, October 4, 2014

MUSIC: Japan, "Ghosts" (1982)



David Sylvian sings:

Just when I think I'm winning
When I've broken every door
The ghosts of my life
Blow wilder than before


Just when I thought I could not be stopped
When my chance came to be king
The ghosts of my life
Blew wilder than the wind

MUSIC: The Royalettes, "It's Gonna Take A Miracle" (1965)


I know, I know. That's not their real hair. This is the cheesiest clip you ever saw. Black and white sucks. They don't make music like this anymore. Now shut up.

Friday, October 3, 2014

WOODBLOCK PRINT: Yuko Shimizu (2014)





POEM: "Letter From My Apartment, Oct. 3, 2014"


Letter From My Apartment, Oct. 3, 2014


Love predates nationalities
Wind originates beyond the sky
Earth has water older than the sun

Still things will travel faster than light
(I could go on but you're grateful I won’t)
No one lives in caves though we might as well
A poem of white is no more the absence of colours
Than a poem of black includes them all forever
And though a red umbrella is small protection
Against the ravages of teargas in Hong Kong
A bottle of water applied to the eyes will help.


© 2014 Rob Schackne

Wednesday, October 1, 2014

MUSIC: Fatboy Slim, "Weapon of Choice" / Christopher Walken (2010) / POEM: "Right" (2014)



http://www.youtube.com/watch?v=wCDIYvFmgW8


Right. Flow.
Left foot goes there
no, the other right
now unweight the right
let it slide over to the left
hands block and turn  if
you walk without rhythm
ah, you never learn
now let's try it again.


© 2014 Rob Schackne

Tuesday, September 30, 2014

A Kenneth Koch Poem



One Train May Hide Another


In a poem, one line may hide another line,
As at a crossing, one train may hide another train.
That is, if you are waiting to cross
The tracks, wait to do it for one moment at
Least after the first train is gone. And so when you read
Wait until you have read the next line—
Then it is safe to go on reading.
In a family one sister may conceal another,
So, when you are courting, it's best to have them all in view
Otherwise in coming to find one you may love another.
One father or one brother may hide the man,
If you are a woman, whom you have been waiting to love.
So always standing in front of something the other
As words stand in front of objects, feelings, and ideas.
One wish may hide another. And one person's reputation may hide
The reputation of another. One dog may conceal another
On a lawn, so if you escape the first one you're not necessarily safe;
One lilac may hide another and then a lot of lilacs and on the Appia Antica
     one tomb
May hide a number of other tombs. In love, one reproach may hide
   another,
One small complaint may hide a great one.
One injustice may hide another—one colonial may hide another,
One blaring red uniform another, and another, a whole column. One bath
   may hide another bath
As when, after bathing, one walks out into the rain.
One idea may hide another: Life is simple
Hide Life is incredibly complex, as in the prose of Gertrude Stein
One sentence hides another and is another as well. And in the laboratory
One invention may hide another invention,
One evening may hide another, one shadow, a nest of shadows.
One dark red, or one blue, or one purple—this is a painting
By someone after Matisse. One waits at the tracks until they pass,
These hidden doubles or, sometimes, likenesses. One identical twin
May hide the other. And there may be even more in there! The
   obstetrician
Gazes at the Valley of the Var. We used to live there, my wife and I, but
One life hid another life. And now she is gone and I am here.
A vivacious mother hides a gawky daughter. The daughter hides
Her own vivacious daughter in turn. They are in
A railway station and the daughter is holding a bag
Bigger than her mother's bag and successfully hides it.
In offering to pick up the daughter's bag one finds oneself confronted by
   the mother's
And has to carry that one, too. So one hitchhiker
May deliberately hide another and one cup of coffee
Another, too, until one is over-excited. One love may hide another love or
   the same love
As when "I love you" suddenly rings false and one discovers
The better love fingering behind, as when "I'm full of doubts"
Hides "I'm certain about something and it is that"
And one dream may hide another as is well known, always, too. In the
   Garden of Eden
Adam and Eve may hide the real Adam and Eve.
Jerusalem may hide another Jerusalem.
When you come to something, stop to let it pass
So you can see what else is there. At home, no matter where,
Internal tracks pose dangers, too: one memory
Certainly hides another, that being what memory is all about,
The eternal reverse succession of contemplated entities. Reading A
   Sentimental Journey look around
When you have finished, for Tristram Shandy, to see
If it is standing there, it should be, stronger
And more profound and theretofore hidden as Santa Maria Maggiore
May be hidden by similar churches inside Rome. One sidewalk
May hide another, as when you're asleep there, and
One song hide another song; a pounding upstairs
Hide the beating of drums. One friend may hide another, you sit at the
   foot of a tree
With one and when you get up to leave there is another
Whom you'd have preferred to talk to all along. One teacher,
One doctor, one ecstasy, one illness, one woman, one man
May hide another. Pause to let the first one pass.
You think, Now it is safe to cross and you are hit by the next one. It can be
   important
To have waited at least a moment to see what was already there.


(1994)

Sunday, September 28, 2014

A T.S. Eliot Poem



Preludes


I

The winter evening settles down
With smell of steaks in passageways.
Six o’clock.
The burnt-out ends of smoky days.
And now a gusty shower wraps
The grimy scraps
Of withered leaves about your feet
And newspapers from vacant lots;
The showers beat
On broken blinds and chimney-pots,
And at the corner of the street
A lonely cab-horse steams and stamps.

And then the lighting of the lamps.


II

The morning comes to consciousness
Of faint stale smells of beer
From the sawdust-trampled street
With all its muddy feet that press
To early coffee-stands.
With the other masquerades
That time resumes,
One thinks of all the hands
That are raising dingy shades
In a thousand furnished rooms.


III

You tossed a blanket from the bed,
You lay upon your back, and waited;
You dozed, and watched the night revealing
The thousand sordid images
Of which your soul was constituted;
They flickered against the ceiling.
And when all the world came back
And the light crept up between the shutters
And you heard the sparrows in the gutters,
You had such a vision of the street
As the street hardly understands;
Sitting along the bed’s edge, where
You curled the papers from your hair,
Or clasped the yellow soles of feet
In the palms of both soiled hands.


IV

His soul stretched tight across the skies
That fade behind a city block,
Or trampled by insistent feet
At four and five and six o’clock;
And short square fingers stuffing pipes,
And evening newspapers, and eyes
Assured of certain certainties,
The conscience of a blackened street
Impatient to assume the world.

I am moved by fancies that are curled
Around these images, and cling:
The notion of some infinitely gentle
Infinitely suffering thing.

Wipe your hand across your mouth, and laugh;
The worlds revolve like ancient women
Gathering fuel in vacant lots.



(1917)

Friday, September 26, 2014

PHOTO: Gil Roth, "Le Silence" / POEM: "First Day In The Afterlife"





First Day In The Afterlife


Don't get around much any more

(I might not get around at all)
silenced with a middle finger
waiting to do nothing more than
live a life, write, fight, then fuck off
(the Silenus kicks over a few chairs
and he quickly gallops away)

"...reality scarier than science fiction
he says pushing against the storm
crashing rain, the deck is non-negotiable
the din of wind is furious, others below
with their smokes and bottles play cards
betting both ends against the middle"


My first day in the Afterlife

I have an horrible hangover, also 
an idea almost on the verge of memory
there was a victory, yes, the plan worked
very few casualties, the flag, the wind etc.
but I'm an eagle now and when I fly over
all is silent, beautiful, covered in trees

One streaks past 
— then another one fast
I wonder what they are, what they do
so many of them zipping from yes to no
the speed means I need to slow down now
it's the Afterlife after all, they shout at me
pause it, restart, look closely, look again
and watch it happening for the first time.


© 2014 Rob Schackne